Showing posts with label criterion-collection. Show all posts
Showing posts with label criterion-collection. Show all posts

Sunday, September 22, 2013

Jubal (Criterion Collection) [Blu-ray]



One of Glenn Ford's Best Westerns
Jubal is the kind of adult western that was rare even in the heyday of Western production in Hollywood. A great cast, strong writing, and beautiful scenery makes it that much more enjoyable.

Jubal is a luckless drifter, played by Ford who is rescued from exposure and starvation by wealthy rancher Ernest Borgnine. Borgnine soons put Jubal to work as a ranch hand. Borgnine has a very young and beautiful wife, played by Valerie French. She takes a strong liking to Jubal, which not only complicates his relationship with Borgnine, but further strains his dealings with a jealous fellow ranch hand Pinky, played by Rod Steiger. Things go downhill from there.

Add Felicia Farr playing her normal stalwart Western beauty and Charles Bronson as a friend of Jubal's, and you have the making of a great film. It's way past time that this was on DVD.

Excellent mid-50s Adult Western with Glenn Ford
THE STORY: An injured drifter, Glenn Ford as Jubal Troop, is rescued by ranch-owner Earnest Borgnine, who ultimately promotes him to foreman of his ranch. This stirs up the envy of ranch-hand Rod Steiger ("Pinky") and the desire of Borgnine's young sexpot/discontent wife Valerie French. The latter leads to even more hostility on Steiger's part because he used to enjoy the adulterous attentions of French until Ford came along.

Add to this mix a group of trespassing Mennonites (or perhaps Quakers) who have in their company Felicia Farr, a godly woman that attracts Ford's romantic interests, and Charles Bronson, another drifter who befriends Ford.

WHAT WORKS: For the first hour and ten minutes or so "Jubal" is captivating cinema of the highest order. Borgnine is simpleminded & naive but likable and full of mirth. Valerie French is fully clothed at all times, yet somehow oozes sexuality with every simple glance or word (proving that sexiness involves way more than...

A Showcase
In the mid-1950's writer-director Delmer Daves made a series of superior westerns for Columbia studios. Too bad these films have not gotten their critical due from movie historians or critics. Perhaps it's because they lack the thematic continuity of a Buddy Boetticher or a John Ford to tie them together. Still each entry presents its own distinct virtues and all are greatly entertaining. If the compact, and tautly told "3:10 to Yuma" is the best of the lot, the scenic and sprawling "Jubal" runs a close second. This mid-series film features Glenn Ford's easy-going charm, a rowdy Earnest Borgnine, a luscious Valerie French, and the panoramic backdrop of Jackson Hole Wyoming. And in an odd piece of casting, which Daves seems fond of, method actor extrordinaire Rod Steiger appears as a treacherous ranch hand named of all things, Pinky! Following the dueling styles of Ford vs. Steiger is at least as interesting as the otherwise well-staged outbursts of gunplay.

Judging from other...

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3:10 to Yuma (Criterion Collection) [Blu-ray]



From a time when men had to prove they were men.
'3:10 To Yuma' is a stark monochrome Western that has been praised for its suspense and high moral tone. Van Heflin, in a darker variant on his role in 'Shane', plays a character who picks up where most Westerns leave off. The genre is usually concerned with taming wild loners or men with pasts. rewarding them with the joys of civilisation. Heflin has seen what civilisation really means. He lives on a drought-dry farm with a wife and two children he often fails to feed. The grind of fruitless labour has worn them all down, and Heflin's identity as a man, having been once the greatest shot in these parts, is now undermined by humiliation in front of his family by outlaws stealing his cattle and horses, or forced to beg money from indifferent acquaintances. His wife can't understand that his inability to 'be' a 'man' is the result of the civilisation she represents.

What's a poor honest farmer to do when he sees murderers and thieves throwing money around, drinking their fill,...

A Great Forgotten Western
When speaking of the great Westerns such as SHANE, THE SEARCHERS and HIGH NOON, 3:10 TO YUMA should definitely be mentioned. All of these films came out in the 50's, but 3:10 has somehow been forgotten.

Van Heflin plays a farmer suffering from a drought. He is a quiet, seemingly passive man who becomes a reluctant hero. Heflin agrees to hold criminal Glenn Ford in a hotel room for $200 just long enough for the train to Yuma to leave at 3:10. Ford's gang, however, learns about the situation and plans to take action. The characters and performances by Ford and Heflin make the film work. Heflin is outwardly reluctant to take this job, but his strength lies within. The struggle within him is evident: Here's a family man who can save his farm or do what he knows is right. Ford, the criminal, is alluring, almost charming. He's a con artist and a cold-blooded killer, but you can't help liking him just a little. Sure, he's a criminal, but not your typical stereotyped...

Magnificent Letdown
Firstly the four stars are for this wonderful film and the performances of it's cast.
On the flipside I am extremely disappointed at what purports to be a "special edition" I can't for the life of me see what the addition of a trailer and a teaser trailer for the remake makes this so "special". Where are the commentaries, documentaries or featurettes? C'mon guys this is what DVD is all about. Vanilla release are a shameful waste of a brilliant versatile format.It's a disgrace. This is false advertising at its worst and shame on Sony for trying to squeeze a few last bucks out of this version before the remake hits the shelves. Those behind this "special edition" should themselves be put on the 3.10 to Yuma.
If you don't own the movie already then you may wish to buy because I would'nt hold out much hope for an Ultimate edition (they might add a photo gallery!)If you're looking for something extra here well there is always that controversial new cover art!

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